Sunday, December 29, 2019

Strategies for Effective Managerial Communication and...

Strategies for Effective Managerial Communication and Listening Han-Cheng Wang Hawaii Pacific University Dr. Carol Parker MGMT 6910 March 23, 2011 Strategies for effective managerial communication and listening Interpersonal communication plays an important role not only in our personal life but also in business field since interpersonal communication is the procedure that we can receive information and feeling from someone immediately and then to lead us to express our opinions, feeling, and emotion back. According to Hartley (as cited by Sethi Seth, 2009), he defined interpersonal communication as having three characteristics. First, communication is from one person to another. Another characteristic is†¦show more content†¦Eventually, the opinion polls will help the manager to understand the satisfaction within the employees and how to improve and facilitate communication process in the company. Additionally, because employees are sometimes more attentive to communication from another employees than from their employers, the other most efficient tool for effective communications is gossiping secretary since gossipi ng secretary would be more considerably faster than conducting opinions polls which are possibly held monthly, quarterly, or even seasonly. Moreover, it is also helpful to directly communicate with the natural leaders who can be apparently founded as a natural leader in all groups of employees. Communications with all employees can often be improved if the manager can communicate first with the company’s natural leaders since the natural leaders would basically understand how current employees’ feeling and thinking is. Since communication skills do not merely consist of listening and speaking, written skills are also play an important role in communication. However, most managers may describe a thing by showing too many terminology and phraseology. It would be too much complicated to read and understand for their employees. Employees may neglect the good intention of written message because unclearly written communication may have a tendency to frustrate employees. The refore, â€Å"Keep it simple† is a good rule to follow when preparing written communications. (Duft,Show MoreRelatedEssay on Strategies for Effective Managerial Communication1708 Words   |  7 PagesStrategies for Effective Managerial Communication Ensuring effective managerial communication is a daunting challenge. Each manager has to find their own â€Å"path† to capably communicate with their employees, employers, suppliers, business associates and clients. How is effective employee communication achieved? Effective employee communication is achieved by understanding yourself, the differences within your workforce and your company operating environment. It is based on successfully utilizingRead MoreThe Role of Effective Communication in Improving Organizational Performance1157 Words   |  5 PagesTHE ROLE OF EFFECTIVE COMMUNICATION IN Improving organizational PERFORMANCE (CASE STUDY OF flour mill of Nigeria plc) BY AWAZIE ONYINYECHI SARAH 07AB05044 BACKGROUND OF THE STUDY The word communication has a rich and complex history. It first appeared in English Language in the fourteenth century, taken from the Latin word â€Å"communicare† which means to impact, share or make common. Bateman (1999), defined communication as the transmission of information and meanings from one partyRead MoreLeadership Communication : Effective Communication Essay806 Words   |  4 Pages Leadership Communication refers to the way leaders influence a single person, a group, an organization, or a community through meaning. 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Communication is an essential skill that we cannot avoid, and should be perfected as a goal in improving your leadership efficiency. When in a leadership role, the leader must influence others effectively. Being anRead MoreCommunication in Corporate America1534 Words   |  7 PagesRunning Head: COMMUNICATION IN CORPORATE AMERICA Communication in Corporate America David Tamene Davenport University MGMT 535 Dr. Ruth September 16, 2009 Introduction Communication is one of the most vital components of a business! It is imperative that every business practices good communication within its members. From a managerial perspective, mangers have to make sure they carry out effective communication skills by actively listening to verbal and nonverbal messages. A fundamentalRead MoreManagerial Communications Essay1471 Words   |  6 PagesCastillo Managerial Communications (Man-373-OL009) Written Assignment 1 Hynes introduces a calculated approach to managerial communication by dissecting it into three separate, yet mutually dependent functions. Hynes believes that with these approaches, management and employees alike can learn to adapt to one another to create an effective work force. The first layer is based on the idea that an employer and his employees can create a positive work atmosphere with the communication climate theyRead MoreLearning English As A Fine Language1647 Words   |  7 PagesLanguage –EFL About the course Concentrating on communication abilities with emphasis on speaking and listening, to improve your general skill to access higher level courses; to improve your English for everyday use; to improve your English for travel; to improve your English for work purposes or to do casual work in an English speaking country. This program is specially designed for the people looking to improve their general English communication skills. Course Structure Course dates Course

Saturday, December 21, 2019

Disease And Conditions Prostate Cancer Causes - 1620 Words

Introduction The prostate is a small gland that encloses the urethra directly below the bladder. This organ consists of approximately twenty to thirty compound tuvuloalveolar glands found within smooth muscle and dense connective tissue. During sexual activity, more specifically ejaculation, the prostate contracts and releases a fluid that plays a crucial role in activating males’ sperm, producing semen. The prostate is also important because it houses citrate, a source of nutrients for one’s body, enzymes, and prostate-specific antigens. Main Text Pathophysiology and Molecular Events Individuals who are diagnosed with prostate cancer are usually older men who inherit genetic issues or have a fatty diet. Prostate cancer can spread in†¦show more content†¦Because there are multiple ways in which cancer can spread throughout the body, prostate cancer is also divided into multiple stages. In the first stage, cancer cells are discovered in one part of the prostate only. In the second stage, cancer cells have spread throughout the entire prostate, but has not made its way out of the organ, and onto others. In the third stage, the cancer cells have made its way onto the exterior of the prostate organ and there is a possibility that it is making its way towards the seminal vesicles; and in the fourth stage, the cells have moved past the seminal vesicles and are making its way onto other organs, slowly spreading throughout the entire body. Before patients are diagnosed with prostate cancer, they will start by experiencing signs and symptoms that will mostly cause discomfort when urinating or pain in the abdominal or lower back region. However, they must be diagnosed with prostate cancer by a professional because the symptoms of prostate cancer are also extremely similar to the ones of other diseases related to the prostate. It is crucial that they are not diagnosed with the wrong disease as this would cause even more harm among the patients. Population Affected Prostate cancer is a common cancer among men in the United States and around the world. Authors Elaine N. Marieb and Katja Hoehn of the textbook, Human Anatomy and Physiology Tenth Edition, published on

Friday, December 13, 2019

Can Art Change the Way We View the World Free Essays

Can Art Change the Way We View the World? Susan Agee Classics in Philosophy of Art – P346 Gregory Steel Fall 2012 For centuries, art has been interwoven throughout the history of mankind. From primitive carvings on cave walls and ancient Egyptian hieroglyphs, to the Sistine Chapel and the Mona Lisa, artistic creations have enthralled the human race. Art may be a window to the creator’s world; it has potential to instill desire in the viewer to do something they have never done, be somewhere they have never been and inspire to fulfill a dream or goal. We will write a custom essay sample on Can Art Change the Way We View the World or any similar topic only for you Order Now Additionally, Art may possibly allow the artist to illustrate their own perception of a place or even attempt to deceive the viewer. However, to truly understand how we see the world we must delve a little deeper than the obvious, which is through our senses, particularly sight. In order to comprehend the world around us, we must first realize that thoughts are based on perception foremost and that those ideas then create a subjective model of the world, constructed from experience, memory, logical inference, and our brain’s ability to map out its own internal representation of our individual surroundings. Therefore, whether it is through visual art, literature, poems, sculpture, photography or cinema, art may very well be able to change the way we see the world, by changing our perception. The first recognizable art dates from at least 38. 000BC in Europe, Africa, and Australia. They are the products of minds as intellectually capable and sophisticated as our modern ones and they were just like us, despite the fact that their society was slightly more primitive than ours. Works of this early period are not simple, as if created by a child, but in fact they are quite complex pieces depicting animals, humans and symbols. Additionally, drawings similar to maps, as well as carvings, portable art and elaborately decorated animal skulls have been found in caves all over the world. In the book The Mind in the Cave: Consciousness and the Origins of Art by David Lewis-Williams, the author describes these items stating â€Å"many of these pieces bear images of animal, fish, birds and, less commonly, what appear to be human figures as well as complex arrangements of parallel lines, chevrons and notches. These objects d’art as people tend to think of them, were made from bone, mammoth ivory, amber and antler† (Lewis-Williams 2004). Were these ancient artists creating images to simply communicate with others or were they expressing their emotions in the only way they knew how? Although there is no way to tell for certain the artists’ intentions, it is evident that this â€Å"art† played a role in prehistoric society. Still, art has not always had the same meaning as it does today. In fact, in the time of the philosophers Plato, Socrates and Aristotle the idea of art was related to the Latin word ars, which means craft or specialized form. These individuals based their views of art on the notion that the artist must be trained for his craft and each had differing, yet very similar ideas about art and its place in society. For instance, Socrates believed that paintings and poems â€Å"stand triply removed from the real; that is, there are two realms of existence more real than art objects, the Forms themselves and the things of daily life. The basis for this view is the assumption that the goal of art is the imitation of mundane reality† (Wartenberg, 13). Our brain has developed a way of viewing the world over millions of years of evolution that enables us to succeed and survive. Natural selection has tuned our brains so that we may navigate, manipulate, and meaningfully differentiate our environment and the objects contained in it. So what we see in our minds is a functional model of the physical world, which closely approximates it but is not identical to it; certainly not in the way we are in the habit of assuming. But still this traditional skepticism about perceptual experience has often created questions as to whether we can know that things are as we experience them as being, or if the visual world is a grand illusion. To illustrate this idea that perceptual experience may be different than what is real, consider the optical illusion. Artists such as Charles Allan Gilbert and M. C. Escher were masters of the craft of illusion in art. For example, in 1892 Charles Allan Gilbert drew a picture that he called â€Å"All is Vanity†. This piece of artwork is an ambiguous optical illusion using a skull, which has been the object of many pieces of this type, where we see more than one thing in the picture. If we view the overall image, we see a human skull. When we focus on the details of the picture, we see a woman ooking in her vanity mirror. If we look at a close-up, cropped image of â€Å"All is Vanity†, we don’t see the skull we just see details of a woman sitting at her dressing table. However, if we expand our view, even without seeing the entire image, once we know we’re going to see a skull, we can’t help but see it. Also, when we look at the picture from a distan ce, because of all the black surrounding it, once the details of the woman get distorted we still only see a skull. Additionally, M. C. Escher used his expertise in mathematics to create his optical illusions in art. He was fascinated with tessellations, which are arrangements of closed shapes that completely cover the plane without overlapping and without leaving gaps. Typically, the shapes making up a tessellation are polygons or similar regular shapes, such as the square tiles often used on floors. Escher, however, was fascinated by every kind of tessellation – regular and irregular – and took special delight in what he called â€Å"metamorphoses,† in which the shapes changed and interacted with each other, and sometimes even broke free of the plane itself. The regular solids, known as polyhedra, held a special fascination for Escher. He made them the subject of many of his works and included them as secondary elements in a great many more. In the woodcut â€Å"Four Regular Solids† Escher has intersected all but one of the Platonic solids in such a way that their symmetries are aligned, and he has made them translucent so that each is discernible through the others. Additionally, among the most important of Escher’s works from a mathematical point of view are those dealing with the nature of space. In the book â€Å"The Magic of M. C. Escher† J. I. Locher states â€Å" this unique interplay between insight and limitation, between possible and impossible worlds has given Escher’s body of work a wholly personal presence in the panorama of visual arts† (J. I. Locher 2000). His woodcut â€Å"Circle Limit III† is a good place to review these works, for it exemplifies the artist’s concern with the dimensionality of space, and with the mind’s ability to discern three-dimensionality in a two-dimensional representation and Escher often exploited this latter feature to achieve astonishing visual effects. To get a sense of what this space is like, one can imagine that he or she is actually in the picture itself. Walking from the center of the picture towards its edge, he/she would shrink just as the fishes in the picture do, so that to actually reach the edge one would have to walk a distance that, to the individual, seems infinite. Indeed, being inside this hyperbolic space, it would not be immediately obvious that anything was unusual about it – after all, one has to walk an infinite distance to get to the edge of ordinary Euclidean space too. However, if one is observant enough, he/she might begin to notice some odd things, such as that all similar triangles were the same size, and that no straight-sided figure we could draw would have four right angles; that is, this space doesn’t have any squares or rectangles. In addition to ambiguous and mathematical illusions, there is a process known as anamorphosis. There are two types of anamorphosis: perspective or oblique and Mirror, or catoptric. It requires the viewer to use special devices or occupy a specific vantage point to recreate the image. While some of these works of art are more advanced than others, one thing remains constant; the perception of depth in a two-dimensional illustration. With mirror anamorphosis, a conical or cylindrical mirror is placed on the drawing or painting to transform a flat distorted image into a three dimensional picture that can be viewed from many angles. The deformed image is painted on a plane surface surrounding the mirror. By looking uniquely into the mirror, the image appears as it should in natural form. Just as Escher and Gilbert were masters in creating works of illusion with their drawings, so too are the artists that give life to their renditions of this type. Salvador Dali was among many other artists of his time to have been intrigued with this form of art and utilized this technique in many of his paintings. Modern day artists of this sort use sidewalks, underpasses, buildings and pavement as their canvases. This type of art is referred to as â€Å"3D art† and it has been seen everywhere from London to New York. How to cite Can Art Change the Way We View the World, Essay examples

Thursday, December 5, 2019

Art as study the progression of a civilization through time Essay Example For Students

Art as study the progression of a civilization through time Essay Art can be used to study the progression of a civilization through time. Art is usually used to express ones beliefs religiously, politically, and sometimes as a source of communication, which is accomplished through imagery. Symbols in works of art can be related to nature and myths. 1 From the beginning of Chinese history, art and philosophy worked hand-in-hand with the creation of a work of art. Chinese art was used as evidence of a persons behavior and attitude towards nature and other beings (e. g. the nicer the painting the better the person. )2 During the seventh and eighth centuries Chinese art was at its peak. China at this time was under the jurisdiction of the Tang Dynasty. Because of the beautiful work being manufactured China became a multinational society. Paintings and sculptures were not the only works that China would receive admiration for. Their music and literature (poems which sometimes explained works of art) were also at their richest points,3 Tang art has incomparable vigor, realism, dignity There is an optimism, an energy, a frank acceptance of tangible reality which gives the same character to all Tang art, whether it be the most splendid fresco from the hand of a master or he humblest tomb figurine made by the village potter. Sullivan 160) When a piece of artistic work was considered good all that really mattered was the amount of effort that went into the piece and not the derivation of the persons economic class. Scarce materials were used very often in the creation of Chinese artifacts. One of the mot famous and revered stones used was Jade, which was very hard and indestructible. Jade cannot be found in China; it was traded with Burma, which is located on the outer edge of China, so it is amazing to know how much work was done with it in the 600 and 700 era. Jade was usually sed in burials in the sealing of the orifices of the body. This mineral was also recognized for having a beautiful reverberating tone. Jade was carved by pulverizing it with the assistance of an abrasive powder, a skill that was modified from the Shang craftsmen from their Neolithic craftsmen. 4 The fine work on the Emerald was done through the use of a wire saw for fine details. Then it is smoothed with a polishing wheel. 5 In the process of working with Jade the artisan would have to form a respect induced relationship between self and the material. When the artist first receives the material he would not begin to arve because the contour, proportions, and decoration of the piece would depend on religious ceremony. Craftsmen would sometimes study a piece of Jade for many years before deciding what to do with it. Jade comes in an array colors ranging from yellow to brown and from light green to bright green, black and dark purple and those of the highest value were white. Each color of Jade had a specific classification such as ink black, snow, kingfisher green, sea green, grass green, vermilion red and mutton-fat. Green stones in Chinese culture are deemed for having healing powers. That was my main reason for having such an interest in relics made from green minerals. 6 The piece I chose to study is called the Nine Elders of the Huichang, Mountain Scene of the celebrated gathering in 845 C. E. The Jade used is green nephrite from Hotan. This piece sits in the Peking Palace Museum. It stands 4 ft. high, 3 ft. wide and weighs 1,830 pounds. This piece was completed in 1786 with the addition of a poem engraved on the back of the figurine by the Qianlong emperor. The frontal view illustrates a scene of the first and second elders playing chess in the gazebo and the third elder bserving. .u578eb2f62c25f6425fab36c4c066b8dc , .u578eb2f62c25f6425fab36c4c066b8dc .postImageUrl , .u578eb2f62c25f6425fab36c4c066b8dc .centered-text-area { min-height: 80px; position: relative; } .u578eb2f62c25f6425fab36c4c066b8dc , .u578eb2f62c25f6425fab36c4c066b8dc:hover , .u578eb2f62c25f6425fab36c4c066b8dc:visited , .u578eb2f62c25f6425fab36c4c066b8dc:active { border:0!important; } .u578eb2f62c25f6425fab36c4c066b8dc .clearfix:after { content: ""; display: table; clear: both; } .u578eb2f62c25f6425fab36c4c066b8dc { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u578eb2f62c25f6425fab36c4c066b8dc:active , .u578eb2f62c25f6425fab36c4c066b8dc:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u578eb2f62c25f6425fab36c4c066b8dc .centered-text-area { width: 100%; position: relative ; } .u578eb2f62c25f6425fab36c4c066b8dc .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u578eb2f62c25f6425fab36c4c066b8dc .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u578eb2f62c25f6425fab36c4c066b8dc .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u578eb2f62c25f6425fab36c4c066b8dc:hover .ctaButton { background-color: #34495E!important; } .u578eb2f62c25f6425fab36c4c066b8dc .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u578eb2f62c25f6425fab36c4c066b8dc .u578eb2f62c25f6425fab36c4c066b8dc-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u578eb2f62c25f6425fab36c4c066b8dc:after { content: ""; display: block; clear: both; } READ: Three Presidents Reform Policies 19011920 EssayBelow that a small servant boy is boiling water for tea. The fourth and fifth elders are conversing and strolling over the bridge, followed by another boy servant. The remaining four elders can be seen on the reverse side of the effigy. The sixth elder has his hand on a boys head and they are both absorbing the beauty of nature. The seventh senior is walking with the assistance of a bamboo stick and his boy attendant is following behind him. The eighth superior is playing a string instrument called a Qin making music for the listening pleasure of the ninth senior and his boy servant. I was drawn to this piece because it contained such great detail and symbolism. This artifact shows the significance of the respect one should have towards elders. This piece also elaborates on the importance of nature to the Chinese culture. The mountains, trees, and waterfalls are engraved in great detail and that is what makes the carving seem life-like. BIBLIOGRAPHY Burling Hart, Judith and Arthur. Chinese Art. Studio Publications, Inc. Froneck, Thomas. Horizon Book of the Arts of China Horizon Magazine Sickman, Laurence and Super, Alexander. The Art and Architecture of China. Penguin Books Ltd. Third Edition. 1968. Sullivan, Michael. The Arts of China. University of California Press. Los Angeles: 1973 Tregear, Mary. Chinese Art. Thames and Hudson Inc. Revised Edition 1997. Weng, Wang-go and Boda, Yang. The Palace Museum: Peking Treasures of the Forbidden City. The Harry N. Abrams, Inc. New York: 1982 Sharon Matute September 26, 1999 Art 101- 007 Professor Sax African carvings were not considered to be works of art to the African people. They were used for religious purposes and magical ceremonies. A carved image was not an idol or an image of God. It was the proper lace for a spirit to dwell. There were many different kinds of spirits, e. g. the earth, lightning, sun, moon, spirits of the tribal founders which needed a home or dwelling place so they can be categorized. Hence, the statues were used to give the spirits an identity. They were also spirits who were blamed for misfortunes when they occurred. When the spirit enters the statue, it was a tribal custom to provide for the statute as one would for a human. Since the Africans associated the carvings with religion, the sculptures helped them to deal with their psychological issues.